William Carlos Williams (1883-1963) – Selected Poems and Bibliography

William Carlos Williams (1883-1963)

Selected Poems and Bibliography

William Carlos Williams was born in Rutherford, New Jersey in 1883. He began writing poetry while a student at Horace Mann High School, at which time he made the decision to become both a writer and a doctor. He received his MD from the University of Pennsylvania, where he met and befriended Ezra Pound.

Pound became a great influence on his writing, and in 1913 arranged for the London publication of Williams’s second collection, The Tempers. Returning to Rutherford, where he sustained his medical practice throughout his life, Williams began publishing in small magazines and embarked on a prolific career as a poet, novelist, essayist, and playwright.

Following Pound, he was one of the principal poets of the Imagist movement, though as time went on, he began to increasingly disagree with the values put forth in the work of Pound and especially Eliot, who he felt were too attached to European culture and traditions. Continuing to experiment with new techniques of meter and lineation, Williams sought to invent an entirely fresh—and singularly American—poetic, whose subject matter was centered on the everyday circumstances of life and the lives of common people.

His influence as a poet spread slowly during the twenties and thirties, overshadowed, he felt, by the immense popularity of Eliot’s “The Waste Land”; however, his work received increasing attention in the 1950s and 1960s as younger poets, including Allen Ginsberg and the Beats, were impressed by the accessibility of his language and his openness as a mentor. His major works include Kora in Hell (1920), Spring and All (1923), Pictures from Brueghel and Other Poems (1962), the five-volume epic Paterson (1963, 1992), and Imaginations (1970).

Williams’s health began to decline after a heart attack in 1948 and a series of strokes, but he continued writing up until his death in New Jersey in 1963.

(From Poets.org)

———

From: “Spring and All (1923)

For Elsie

The pure products of America
go crazy–
mountain folk from Kentucky

or the ribbed north end of
Jersey
with its isolate lakes and

valleys, its deaf-mutes, thieves
old names
and promiscuity between

devil-may-care men who have taken
to railroading
out of sheer lust of adventure–

and young slatterns, bathed
in filth
from Monday to Saturday

to be tricked out that night
with gauds
from imaginations which have no

peasant traditions to give them
character
but flutter and flaunt

sheer rags-succumbing without
emotion
save numbed terror

under some hedge of choke-cherry
or viburnum-
which they cannot express–

Unless it be that marriage
perhaps
with a dash of Indian blood

will throw up a girl so desolate
so hemmed round
with disease or murder

that she’ll be rescued by an
agent–
reared by the state and

sent out at fifteen to work in
some hard-pressed
house in the suburbs–

some doctor’s family, some Elsie–
voluptuous water
expressing with broken

brain the truth about us–
her great
ungainly hips and flopping breasts

addressed to cheap
jewelry
and rich young men with fine eyes

as if the earth under our feet
were
an excrement of some sky

and we degraded prisoners
destined
to hunger until we eat filth

while the imagination strains
after deer
going by fields of goldenrod in

the stifling heat of September
Somehow
it seems to destroy us

It is only in isolate flecks that
something
is given off

No one
to witness
and adjust, no one to drive the car

William Carlos Williams reads his poem ‘To Elsie’

for the National Council of Teachers of English and Columbia University Press Contemporary Poets series, January 9, 1942.

———

Danse Russe

If when my wife is sleeping

and the baby and Kathleen

are sleeping

and the sun is a flame-white disc

in silken mists

above shining trees,-

if I in my north room

dance naked, grotesquely

before my mirror

waving my shirt round my head

and singing softly to myself:

“I am lonely, lonely,

I was born to be lonely,

I am best so!”

If I admire my arms, my face,

my shoulders, flanks, buttocks

against the yellow drawn shades,-

Who shall say I am not

the happy genius of my household?

———

The Uses of Poetry

I’ve fond anticipation of a day

O’erfilled with pure diversion presently,

For I must read a lady poesy

The while we glide by many a leafy bay,

Hid deep in rushes, where at random play

The glossy black winged May-flies, or whence flee

Hush-throated nestlings in alarm,

Whom we have idly frighted with our boat’s long sway.

For, lest o’ersaddened by such woes as spring

To rural peace from our meek onward trend,

What else more fit? We’ll draw the latch-string

And close the door of sense; then satiate wend,

On poesy’s transforming giant wing,

To worlds afar whose fruits all anguish mend.

———

William Carlos Williams Reads

Three Poems

The Red Wheelbarrow
Elsie
Queen-Anne’s-Lace

The Red Wheelbarrow

The Red Wheelbarrow

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

Queen-Anne’s-Lace

Her body is not so white as
anemone petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.
Each flower is a hand’s span
of her whiteness. Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.

———

Allen Ginsberg reads from ‘Spring and All’ by William Carlos Williams

 

———

Bibliography

Poetry collections

Poems (1909)

The Tempers (1913)

Al Que Quiere! (1917)

Sour Grapes (1921)

Spring and All (1923)

Go Go (1923)

The Cod Head (1932)

Collected Poems, 1921-1931 (1934)

An Early Martyr and Other Poems (1935)

Adam & Eve & The City (1936)

The Complete Collected Poems of William Carlos Williams, 1906-1938 (1938)

The Broken Span (1941)

The Wedge (1944)

Paterson Book I (1946); Book II (1948); Book III (1949); Book IV (1951); Book V (1958)

Clouds, Aigeltinger, Russia (1948)

The Collected Later Poems (1950; rev. ed.1963)

Collected Earlier Poems (1951; rev. ed., 1966)

The Desert Music and Other Poems (1954)

Journey to Love (1955)

Pictures from Brueghel and Other Poems (1962)

Paterson (Books I-V in one volume, (1963)

Imaginations (1970)

Collected Poems: Volume 1, 1909-1939 (1988)

Collected Poems: Volume 2, 1939-1962 (1989)

Early Poems (1997)

Books, prose

Kora in Hell: Improvisations (1920) – Prose-poem improvisations.

The Great American Novel (1923) – A novel.

Spring and All (1923) – A hybrid of prose and verse.

In the American Grain (1925), 1967, repr. New Directions 2004 – Prose on historical figures and events.

A Voyage to Pagany (1928) – An autobiographical travelogue in the form of a novel.

Novelette and Other Prose (1932)

The Knife of the Times, and Other Stories (1932)

White Mule (1937) – A novel.

Life along the Passaic River (1938) – Short stories.

In the Money (1940) – Sequel to White Mule.

Make Light of It: Collected Stories (1950)

Autobiography (1951) W. W. Norton & Co. (1 February 1967)

The Build-Up (1952) – Completes the “Stecher trilogy” begun with White Mule.

Selected Essays (1954)

The Selected Letters of William Carlos Williams (1957)

I Wanted to Write a Poem: The Autobiography of the Works of a Poet (1958)

Yes, Mrs. Williams: A Personal Record of My Mother (1959)

The Farmers’ Daughters: Collected Stories (1961)

Imaginations (1970) – A collection of five previously published early works.

The Embodiment of Knowledge (1974) – Philosophical and critical notes and essays.

Interviews With William Carlos Williams: “Speaking Straight Ahead” (1976)

A Recognizable Image: William Carlos Williams on Art and Artists (1978)

Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams (1996)

The Collected Stories of William Carlos Williams (1996)

The Letters of Denise Levertov and William Carlos Williams (1998)

William Carlos Williams and Charles Tomlinson: A Transatlantic Connection (1998)

The Humane Particulars: The Collected Letters of William Carlos Williams and Kenneth Burke (2004)

Drama

Many Loves and Other Plays: The Collected Plays of William Carlos Williams (1961)

———

‘IN POESIA- Filosofia delle poetiche e dei linguaggi’

‘IN POETRY- Philosophy of Poetics and Languages’

‘EN POéSIE- Philosophie des Poétiques  et des Languages’

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